Закрыть ... [X]

Marina Abramovic, born in 1946 in Belgrade, Yugoslavia, is without question one of the seminal artists of our time. Since the beginning of her career in Yugoslavia during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramovic has pioneered the use of performance as a visual art form. The body has always been both her subject and medium. Exploring the physical and mental limits of her being, she has withstood pain, exhaustion, and danger in the quest for emotional and spiritual transformation. Abramovic's concern is with creating works that ritualize the simple actions of everyday life like lying, sitting, dreaming, and thinking; in effect the manifestation of a unique mental state. As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, and Chris Burden, Abramovic created some of the most historic early performance pieces and is one of few still making important durational works.

From 1975 until 1988, Abramovic and the German artist Ulay performed together, dealing with relations of duality. After separating in 1988, Abramovic returned to solo performances in 1989. Abramovic has presented her work with performances, sound, photography, video, sculpture, and ‘Transitory Objects for Human and Non Human Use’ in solo exhibitions at major institutions in the U.S. and Europe, including the Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (1985), Musée National d’Art Moderne, Centre Georges Pompidou, Paris (1990), Neue National Galerie, Berlin (1993), and the Museum of Modern Art, Oxford (1995). Her work has also been included in many large-scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992). In 1995, Abramovic’s exhibition Objects Performance Video Sound traveled to the Museum of Modern Art, Oxford, the Irish Museum of Modern Art, Dublin, and the Fruitmarket Gallery, Edinburgh. In 1998, the exhibition Artist Body - Public Body toured extensively including stops at Kunstmuseum and Grosse Halle, Bern and La Gallera, Valencia. In 2000, a large solo show was held at the Kunstverein in Hannover. In 2002, she participated in the Berlin-Moscow exhibition, which opened at the Martin Gropius-Bauhaus in Berlin and finished its tour in 2004 at the State Historical Museum, Moscow. In 2004, Abramovic also exhibited at the Whitney Biennial in New York and had a significant solo show, The Star, at The Marugame Museum of Contemporary Art and the Kumamoto Museum of Contemporary Art, Japan.

Marina Abramovic has taught and lectured extensively in Europe and America including the Hochschule fur Bildende Kunst in Hamburg, and the Ecole des Beaux Arts in Paris. In 1994 she became Professor for Performance Art at the Hochschule fur Bildende Kunst in Braunschweig where she taught for seven years. In 2004 she was awarded an Honorary Doctorate from the Art Institute in Chicago.

She was awarded the Golden Lion for Best Artist at the 1997 Venice Biennale for her extraordinary video installation/performance piece Balkan Baroque‚ and in 2003 received the Bessie for The House with the Ocean View‚ a 12-day performance at Sean Kelly Gallery, New York.

In 2005, Abramovic presented Balkan Erotic Epic at the Pirelli Foundation in Milan, Italy and at Sean Kelly Gallery, New York. That same year, she held a series of performances called Seven Easy Pieces at The Guggenheim Museum in New York, which was awarded the prize for 2005-2006 Best Exhibition of Time-Based Art by the United States Art Critics Association.

In 2008 she was honored with the Austrian Commander Cross for her contributions to Art History and in September 2009 decorated with the Honorary Doctorate of Arts by the University of Plymouth, UK.

In the spring of 2010, she had her first major retrospective in the United States at The Museum of Modern Art in New York, and simultaneously performed her durational piece The Artist is Present for more than 700 hours. This retrospective boasts of having been seen by more than 850,000 visitors.

In summer of 2011, Abramovic was bestowed with the honorary degree of Doctor of Fine Arts by Williams College in Williamstown, Massachusetts. In 2011 a theatre piece by Robert Wilson entitled The Life and Death of Marina Abramovic premiered and Abramovic’s retrospective The Artist is Present toured with great success to The Garage, in Moscow.

In January and February 2012 the HBO documentary, similarly entitled, premiered at Sundance Film Festival in Utah and The Canadian Film Premiere, Reel Artists Film Festival, Toronto. This film won the audience choice awards at Berlin Film Festival. In spring of 2012 Abramovic launched a major double exhibition at PAC and Lia Rumma Galeria, Milan showing all new work and unveiling The Abramovic Method to the world.

The artist performed in Robert Wilson's theatre piece The Life and Death of Marina Abramovic that premiered in Manchester 2011 and then traveled from Madrid in April to Basel, Amsterdam and Antwerp in June of 2012. The piece performed in Toronto at the Luminatio festival and in New York at the Park Avenue Armory in 2013. Upcoming exhibitions in 2014 include solo shows at CAC Malaga, the Kistefos Museet in Norway, and the Serpentine Gallery in London.

Abramovic founded the Marina Abramovic Institute (MAI), a platform for immaterial and long durational work to create new possibilities for collaboration among thinkers of all fields. The institute inhabited its most complete form to date in 2016 in collaboration with NEON in “As One”, Benaki Museum, Athens.

Using herself and the public as medium, Abramovic performed for three months at the Serpentine Gallery in London, 2014; the piece was titled after the duration of the work, 512 Hours.

SELECTED EXHIBITIONS

This list has been compiled chronologically; solo exhibitions and performances precede group exhibitions and performances


2013 Solo Marina Abramovic


2013 Group The Temptation of AA Bronson, Witte de With Contemporary Art, Rotterdam

Bad Girls, Fonds regional d’art contemporain de Lorraine, Metz

DLA Piper Series: Constellations, Tate Liverpool, Liverpool

Unattained Landscape, Japan Foundation & Bevilacqua La Masa Foundation, Venice

Summer Exhibition, Royal Academy of Arts, London

Kirchner’s Archers: Reflection on Art History.Kirchner Museum, Davos

Le Pont, Marseilles Contemporary Art Museum [MAC], Marseilles

Moments on Moments, Museum van Hedendaagse Kunst Antwerpen, Antwerp

Hair: Untagling Roots of Identity, The Herbert F. Johnson Museum of Art at Cornell University, Ithaca BOOK MACHINE, Centre Pompidou, Paris


2012 Solo Marina Abramovic, La Fabrica Gallery, Madrid (performance)

With Closed Eyes I See Happiness, Galleria Lia Rumma, Milan

The Abramovic Method, PAC, Milan

Marina Abramovic: Lecture for Women, Anthony's Meltdown, London

Feast: Radical Hospitality in Contemporary Art, The University of Chicago

Balkan Stories, Kunsthalle Vienna


2012 Group Dotek/Touch,Futura Center for Contemporary Art, Prague

Performance Now: The First Decade of the New Century, Wesleyan University, Ezra and Cecile Zilkha Gallery, Middletown

Faces: The Phenomenon of Face in Videoart, Rudolfinum, Prague

Documenta 13: The Worldly House,Karlsaue Park, Kassel

Beyond Time: International Video Art Today, Kulturhuset, Stockholm

12 Rooms, Museum Folkwang, Essen

When the Mountain Changed it’s Clothing: Ruhrtriennale, International Festival of The Arts, Bochum (theater performance)

Feast: Radical Hospitality in Contemporary Art, University of Chicago, Chicago


2011 Solo Marina Abramovic, Pinnacle Gallery, Savannah, Georgia

Marina Abramovic: The Artist is Present, The Garage, Moscow


2011 Group Festival of Contemporary Art: Art Ist Kuku Nu Tu, Tartu Art Museum, Estonia.

Mundos Nomades, Museo Nacional de Artes Visuales, Montevideo

Heroinas, Museo Thyssen-Bornemisza y Fundacion Caja, Madrid

10 Dialogues: Richard Demarco, Scotland and the European Avant Garde, The Royal Scottish Academy of Art and Architecture, Edinburgh

The Armory Show, Luciana Brito Gallery, New York

Publics and Counterpublics, Centro Andaluz de Arte Contemporaneo, Seville

Inquiétantes étrangetés, Le Musee des Beaux-Arts, Nantes

The Missing Peace: Artists Consider the Dalai Lama, The Nobel Museum, Stockholm, Sweden, toured to The San Antonio Museum of Art, San Antonio, Texas



2010 Solo Personal Archaeology, Sean Kelly Gallery, New York

Back to Simplicity, Luciana Brito Gallery, Sao Paolo

Marina Abramovic, Lisson Gallery, London

The Artist is Present, The Museum of Modern Art, New York, USA.


2010 Group Horizonte Expandido, Santander Cultural, Porto Alegre

100 YEARS, P.S. 1 Contemporary Art Center, New York

GSK Contemporary - Aware: Art Fashion Identity, Royal Academy of Arts, London

MIRADAS SINGULARES VOCES PLURALES, Claustro de Exposiciones, Cadiz

Islands Never Found, State Museum of Contemporary Art and Contemporary Art Center of Thessaloniki, Thessaloniki

The Missing Peace: Artists Consider the Dalai Lama, The Patricia and Phillip Frost Museum at Florida International University, Miami

Brave New World, MUDAM, Luxembourg


2009 Group Haunted, Guggenheim Museum, New York

Essential Experiences, Palazzo Riso, Palermo

8 Lessons on Happiness with a Happy End, Center for Contemporary Art, Tel Aviv Look at me. Faces and Gazes in Art 1969-2009, Galleria Civica d'Arte Moderna e Contemporanea, Turin

Lagrimas De Eros, Museo Thyssen-Bornemisza, Madrid

Mahlziet, Essen in der Kunst, Galerie im Traklhaus, Austria.

Paisatges Creuats, Es Baluard Museu d'Art Modern i Contemporani de Palma,

Palma de Mallorca

Kasseler Dok Fest, Kasseler Kunstverein, Kassel, Germany.

1989. End of History or Beginning of the Future?, Austrian Cultural Forum, New York, toured to Kunsthalle Wien, Vienna

Moscow Biennale, Moscow

Videnie, Guelman Gallery, Moscow

Femmes et l'art (Women's Work), Centre Pompidou, Paris

Screening, WRO Art Center, Wroclaw, Poland

Invasion of Sound, Zacheta National Gallery, Warsaw

The First Stop on the Super Highway, New Jersey Performing Arts Center, Newark

Club des Femmes' Body of Work, Institute of Contemporary Arts, London

Pourquoi Attendre, Centre d'Art de Geneve, Geneva, Switzerland.

Essential Experiences, Palazzo Riso, Museo d'Arte Contemporanea della Sicilia, Palermo

Go East II, Mudam Luxembourg, Luxembourg

Messiahs, Modem/Centre for Modern and Contemporary Art, Debrecen, Hungary

Mahlzeit, Galerie Im Traklhaus, Salzburg

The Third Mind, Solomon R. Guggenheim Museum, New York

MI VIDA-Live experience in Art from Musac Collect, Mucsarnok Kunsthalle, Budapest

The Missing Peace: Artists Consider the Dalai Lama, Fundacion Canal de Isabel II, Madrid, Spain.


2008 Solo The Onion, Gwen Frostic School of Art, Kalamazoo

8 Lessons on Emptiness with a Happy End, Gallery Guy Bartschi, Geneva and Gallery Beaumontpublic, Luxembourg

Transitory Objects, Galeria Brito Cimino, Sao Paulo

2008 Group Rough Guide to Amsterdam, Magacin, Belgrade

Time Crevasse, Yokohama Triennale, Japan

Moving Images/Moving Bodies, Centre for Contemporary Arts Glasgow, Glasgow

Video Performance: Models of Self Reflection, Ausstellungshalle Kunst, Münster, Germany

Fragile, Julia Stoschek Collection, Dusseldorf, Germany

Knockin' on Heaven's Door,Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

FEMINAE, Gallery Guy Bartschi , Geneva, Switzerland

Self as Selves, Irish Museum of Modern Art, Dublin, Ireland.

Space of Time, La Fabrica Gallery, Madrid, Spain.

The Art of Participation: 1950 to Now,San Francisco Museum of Modern Art,

San Francisco

WACK! Art and the Feminist Revolution.P.S.1. Contemporary Art Center,

Long Island City, New York

Person of the Crowd: The Contemporary Art of Flânerie, Neuberger Museum, Purchase,

New York

Martian Museum of Terrestrial Art,Barbican Art Gallery, London.

Platform Seoul,Contemporary Art Museum, Kumamoto(CAMK).

The Hands of Art, Stedelijk Museum, Amsterdam Holland

The Missing Peace: Artists Consider the Dalai Lama, The Yerba Beuna Centre for the Arts, San Francisco, California, toured to Hillside Terrace Galleries, Tokyo, Japan

28th Biennale de Sao Paulo, Sao Paulo, Brazil


2007 Solo Balkan Erotic Epic, Cent8-Serge Le Borgne, Paris, France, toured to Living Arts, Tulsa, Oklahoma; La Fabrica Galeria, Madrid, Spain

Present-Past-Present,Kappatos Gallery, Athens

2007 Group 53rd International Short Film Festival, Oberhausen, Germany

Art Metropole: The Top 100, The National Gallery of Canada, Ottawa

After the Revolution: Women Who Transformed Contemporary Art, Dorsky

Gallery, Curatorial Programs, Long Island City, NY.

Art Basel Conversation: Premiere in Honor of Marina Abramovic, Art Basel, Miami Beach, US.

Auto Emotion: Autobiography, Emotion and Self-Fashioning, The Power Plant, Toronto

The Balance of Power,Para/Site Art Space, Hong Kong, China

Best Regards from the Blind Spot, Centro Cultural Montehermoso, Vitoria, Spain.

Between Art and Spirituality, Centre Pompidou, Paris, France.

Brakke Grond, Project Perform, Amsterdam, Netherlands.

Canvas, 'LUX Jan Hoet, Broadcast rights, Belgium.

Carlos Urroz Proyectos, Ibiza

Centre d'Art Contemporaine, Geneva

Exhibition Pain/Schmerz, Hamburger Bahnhof, Berlin

Festival Cote Court, Transat Vidéo / Brent Klinkum, Pantin, France. (?)

Foodscapes, Art & Gastronomy, Solares Fondazione delle Arti , Parma Italy

Fortunate Objects, Ella Fontanas Cisneros Collection, Miami US.

FRAC de Lorraine, Metz, France.

Galeria Brito Ciminio at Shanhai Art Fair, Shangai, China.

Gehen Bleiben, KunstMuseum, Bonn, Germany

Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, Australia.

The Glamour of Violence, DasArts, Amsterdam, Netherlands.

Into Me / Out of Me, Macro, Rome, Italy.

John Hansard Gallery, Southampton UK

Julia Stocheck Collection, Düsseldorf, Germany.

Kunstmuseum, Bonn, Germany

La fiaba contemporanea, Art Sanio Campania, Benevento, Italy.

Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York

The Missing Peace: Artists Consider the Dalai Lama, Rubin Museum of Art, New York, toured to Loyola University, Chicago

Mulher Mulheres, SESC Avenida Paulista, Sao Paulo, Brazil. (?)

Mulher, Mulheres', Sao Paulo, Brasil. (?)

Museum of Modern and Contemporary Art, MMSU, Croatia. (?)

Nagoya City Art Museum, Naka-ku-Sakae

New Genre Festival XIV, Living Arts, Tulsa

Observatori festival,Valencia

Ohnmacht Muthesius, Kunsthochschule, Kiel

Quadrennial, Prague, Czech Republic. (?)

Project Bridge, Moskee Bos en Lommer, Amsterdam

PURE, Sean Kelly Gallery, New York

Renegades, Exit Art, New York

Role Exchange, Sean Kelly Gallery, New York.

Role Play: Feminist Art Revisited 1960-1980, Galerie Lelong, New York

Schmerz, Hamburger Bahnhof, Berlin (?)

Seven Easy Pieces, Gender Bender Festival, Bologna, Italy; KunstFilmBiennale, Cologne, Germany; MAXXI, Rome, Italy.

Structures and Surfaces, Sean Kelly Gallery, New York

Student Exam, NIMk, Netherlands.(?)

Surrounding the Subject, Visual Arts Center, Cambridge, Massachusetts

True Romance, Kunsthalle Wien, Vienna, Austria; University of Amsterdam, ASCA, Nertherlands.(??)

Vertigo: The Century of Off-Media Art and Futurism to the Web, Museo d’Arte Moderna, Bologna

Video Apartment, bodycity, Docklands, Dublin

Vitoria, Centro Cultural Montehermoso Kulturena, Gasteiz

WACK! Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles

2006 Solo Balkan Erotic Epic, SESC, Sao Paulo, toured to Hangar Biocca, Milan; Living Arts, Tulsa, Oklahoma; Galerie Cent8 – Serge Le Borgne, Paris, France; Fundación La Fabrica, Madrid


2006 Group Into Me / Out of Me, PS1, New York, NY, toured to Kunst-Werke, Berlin; Museo d’Arte Contemporanea di Roma, Rome

Unlearn, Plug In,Winnipeg, Canada.

Watch Out, Beaumont Public, Luxembourg

The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum of Cultural History, Los Angeles


2005 Solo Art Must Be Beautiful, Artist Must Be Beautiful, Museo Nacional Centro de Arte Reina Sofia, Madrid

Balkan Erotic Epic, Sean Kelly Gallery, New York

The Biography Remix, Avignon Theatre Festival, Avignon (performances)

Count On Us: Photographies et Objets, Galerie Guy Bärtschi, Geneva

(Re)Presenting Performance, Solomon R. Guggenheim Museum, New York (symposium)

Self Portrait with Skeleton, Art Basel, Art Unlimited, Basel (performance)

Seven Easy Pieces, Solomon R. Guggenheim Museum, New York (performances)

2005 Group 5thMercosul Biennial, Porto Alegre, Brazil. (?)

Another Expo: Beyond the Nation-State, Kitakyushu Center for Contemporary Art, Japan, toured to White Box, New York

The Artist’s Body. Then and Now, Centre d’Art Contemporain, Genève,

Switzerland.

CCA Kitakyushu Artist’s Books, Christophe Daviet-Thery, Paris.

Conflict: Perspectives, Positions, Realities in Central European Art,Slought Foundation, Philadelphia

Donna/Donne,Palazzo Strozzi, Florence, toured to SESC, Sao Paulo

DreamingNow, The Rose Art Museum, Brandeis University, Waltham

East Art Museum: A (Re) Construction of the History of Contemporary Art (1945-1985) in Eastern Europe, Karl Ernst Osthaus Museum, Hagen, Germany

Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, New York

Fragments of Time, Yellow Bird Gallery, Newburgh, New York

The Gesture, Macedonian Museum of Contemporary Art, Thessaloniki, Greece, toured to Quarter Center for Contemporary Arts, Florence, Italy.

Getting Emotional, The Institute of Contemporary Art, Boston, MASS.

Indeterminant States, Cisneros Fontanals Art Foundation (CIFO), Miami La Galleria dell’Amore: Let Love Blossomwith IPGGalleria Civica di Arte Contemporanea, Trento, Italy (curator) Me, Myself and I: Artist self-portraits from the Heather & Tony Podesta Collection, Curator’s Office, Washington, DC, toured to Contemporary Art Center of Virginia, Virginia Beach, VA.

Melancholia, Jensen Gallery, Auckland

Miradas Y Conceptos En La Collección Helga de Alvear, Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain.

Suddenly Older, Clifford Art Gallery, Colgate University, Hamilton, NY.

Take Two: Worlds and Views, Contemporary Art from the Collection, Museum of Modern Art, New York, NY. Videographies: The Early Decades from the EMST collection, National Museum of Contemporary Art, Athens, Greece.

"Egon Schiele, Marina Abramovic, Dansgroep Krisztina de Chatel" [performance] Van Gogh Museum, Amsterdam, Holland.


2004 Solo The Biography Remix, with Michael Laub, Fondazione Roma Europa, Rome, toured to Avignon Theatre Festival, France (performance)

Performing Body: Video Works By Marina Abramovic, The Speed Art Museum, Louisville

Loop Performance, P.S.1 Contemporary Art Center, New York

Virgin Warrior/Warrior Virgin, with Jan Fabre, Palais de Tokyo, Paris (performance)

2004 Group Art Unlimited: ArtBasel 2004, Basel

Exhibit and Silent Auction, Marianne Boesky Gallery, New York

Cetinje Biennial, Ceninje, Montenegro.

Camera/Action, Museum of Contemporary Photography, Chicago

Collected Views from East to West, Generali Foundation, Vienna

Depicting Love, Kunstlerhaus Bethanien, Berlin

Maya Lin: Earth Drawings, The Wanas Foundation, Sweden

Performance en Vivo, Museo de Arte, Puerto Rico

Performing Body, Speed Art Museum, Louisville

Video Killed the Radio Star, La Fabrica Gallery, Spain.

Whitney Biennial, New York


2003 Solo Netherlands Media Art Institute, Montevideo/Time Based Arts,

Amsterdam, The Netherlands.

Student Body, Centro Galego de Arte Contemporánea, Santiago de

Compostela, Spain.

The Star, Contemporary Art Museum, Kumamoto, Japan.

Fundación La Fábrica, Madrid, Spain toured to Maragame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan


2003 Group The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse

Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island

Video Evenings, MARTa pre-opening event, MARTa Herford/Museum of

Art and Design, Herford

Air, James Cohan Gallery, New York

Banquete, Palau de la Virreina, Barcelona, Spain, toured to ZKM Center for Art and Media, Karlsruhe, Germany; Centro Cultural Conde Duque, Madrid, Spain

Upon Reflection…, Sean Kelly Gallery, New York

Video Acts: Single Channel Works from the Collections of Pamela and

Richard Kramlich and New Art Trust, P.S. 1 Contemporary Art Center, New York, toured to Institute of Contemporary Arts, London

Berlin Moskau/Moskau Berlin, Martin-Gropius-Bau, Berlin, Germany, toured to State Historical Museum, Moscow

A Short History of Dutch Video Art, Gate Foundation, Amsterdam, toured to Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum of Contemporary Art and Design, San Jose, Costa Rica; Museum Patio Herreriano, Valladolid, Spain; Reykjavik Art Museum, Iceland; Museum of Modern Art, Zagreg; Doulun Museum of Modern Art, Shanghai


2002 Solo The House with the Ocean View, Sean Kelly Gallery, New York

Galleria Lia Rumma, Milan

Galerie Cent8 – Serge Le Borgne, Paris, France


2002 Group Oxygen, Whitebox Art Gallery, New York

Barbara Krakow Gallery, Boston

Moving Pictures, Solomon R. Guggenheim Museum, New York

Building Structures, P.S.1. Museum of Modern Art, Long Island City

In Search of Balkania, Neue Galerie am Landesmuseum Joanneum, Graz


2001 Solo Marina Abramovic: The Hero,The Hirshhorn Museum and Sculpture Garden, Washington, DC.

Marking the Territory, The Irish Museum of Modern Art, Dublin

The Hunt, Project Gallery at Kitakyushu Center for Contemporary Art, Kitakyushu (video installation)

Spirit Houses, Multiple venues, Bourganeuf, France;

Fondazione Antonio Ratti, Como, Italy

Energy Clothes, Atelier Calder, Saché, France (performance and video installation)


2001 Group Arte y Naturaleza, Fundacion NMAC, Cádiz, Spain

Body and the East: From the 1960's to the Present, Exit Art, New York

Echoes of the Scream, ARKEN Museum of Modern Art, Ishoj

El Instante Eterno, Espai D'Art Contemporani de Castelló, Valencia

Giganti: Arte Contemporanea, Fori Imperiali, Rome

Holy Sports and 13, Center of Academic Resources, Chulalongkorn University, Bangkok (video installation)

Hypermental - Wahnhafte Wirklichkei 1950-2000, Hamburger Kunsthalle, Hamburg

Pat Hearn Gallery: Part 2 (1988-1994),Pat Hearn Gallery, New York

Site Specific Projects, N.M.A.C., Montenmedio Arte Conteporaneo, Cadiz, (video installation and site-specific project)

YokohamaTriennial of Contemporary Art, Japan (installation)


2000 Solo Cleaning the House: Traveling Cabinet, Kiasma Museum of Contemporary Art, Helsinki

Marina Abramovic, Galerie Cent8 – Serge Le Borgne, Paris, France

Marina Abramovic: Luminosity, Insomnia, Dissolution, 1997, Samuel P. Harn Museum of Art, Gainesville, Florida

Marina Abramovic: Soul Operations Room, Kappatos Gallery, Athens

Public Body, Artist Body, Kunstverein Hannover, Hannover (performance, video installations, objects)


2000 Group Acoustic Architecture Architectural Acoustics, Aronson Gallery #1, Parsons School of Design, New York

Anableps, Studio Stefania Miscetti, Rome

Animal, Anima, Animus, The Winnipeg Art Gallery, Winnipeg (?)

Arteast Collection: The Art of Eastern Europe in Dialogue with the West;

From the 1960s to the Present, The Museum of Modern Art, Ljubljana, Slovenia.

Arte Povera e Concetualli. Galerija Rigo, Zagreb

Das Gedächtnis der Kunst, Schirn Kunsthalle, Frankfurt

Dream Machines, Hayward Gallery, London, England, toured to Dundee Contemporary Arts, Mappin Art Gallery, Sheffield, England; Camden Arts Centre, London, England

Echigo-Tsumari Art Triennial 2000, Sarugaku-cho, Shibuya-ku, Tokyo, (installation)

Global Conceptualism: Points of Origin, 1950s-1980s, MIT List Visual Arts Center, Boston

Group Show, Galerie Ingrid Dacié, Tübingen

Heimat Kunst, Haus der Kulturen der Welt, (performance photographs)

Hypermental:. Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons, Kunsthaus Zurich, Sweden, toured to Hamburger Kunsthall, Hamburg, Germany; Rudolfinum, Prague, Czech Republic (video installation)

Insistent Memory: The Architecture of Time in Video Installation, University of Florida, Samuel P. Harn Museum of Art, Gainesville

La Forma del Mondo/ La Fine del Mondo, PAC, Milan (video installation)

Lie of the Land: earth body material, John Hansard Gallery, University of Southampton, Southhampton

Lost Paradise Lost, Ev. Luth Stadkirchenverband, Hannover, Hamburg

Ma Sorciere bien aimée, Musée d’Histoire de la Ville de Luxembourg,

Luxembourg

Performing Bodies, Tate Modern, London (video)

Stanze e Secreti, Rotonda Della Besana, Milan, Italy

Ventana hacia Venus, Window onto Venus, Bienal de la Habana, Teatro National/Galeria Rene Portocarrero, Havana, Cuba.

Video Time: Survey of Videos from the Museum of Modern Art's Renowned Collection Traces the History of the Medium, The Museum of Modern Art, New York

Voici: 100 Ans d’Art Contemporain, Palais des Beaux Arts, Brussels, (video installation)

Zeitwenden, Ludwig Museum, Vienna (public performance and installation)

Central Europe 1949-1999, The Brooklyn Museum of Art, Brooklyn, NY.


1999 Solo Cleaning the House, Kiasma, Museum of Contemporary Art, Helsinki,

Finland.

Expiring Body, Fabric Workshop and Museum, Philadelphia

Marina Abramovic, Galerie Cent8, Paris, France

Marina Abramovic: Spirit House, Centrum Sztuki Wspólczesnej Zamek Ujazdowski, Warsaw

Ulay & Abramovic, in collaboration with Ulay, Musée d’Art Contemporain, Lyon


1999 Group Postmedia: Conceptual Photography in the Guggenheim Museum Collection, The Solomon R. Guggenheim Museum , New York

Zeitwenden, Kunstmuseum, Bonn, Germany, toured to Museum Kunst Stiftung Ludwig Wien, Vienna (object installation, Soul Operation Room)

Lie of the Land: earth. body. material. John Hansard Gallery University of Southampton, Southampton, England.

Regarding Beauty: A View of the Late Twentieth Century, Hirshhorn Museum and Sculpture Garden, Washington, DC.

Calendar 2000, Center for Curatorial Studies, Bard College, Annandale-on-Hudson

Kiasma Museum of Contemporary Art, Helsinki, Finland. (??)

Impact: Revealing Sources for Contemporary Art, Contemporary Museum, Baltimore

Inderlightens Spill: Images of Religious Contemplation, Kunstmuseum, Lillehammer (video installation)

Where Are You?Center for Curatorial Studies, Bard College, Annandale-on-Hudson

Comfort Zone: Furniture by Artists, Paine Webber Art Gallery, New York,

Animal, Anima, Animus, Pori Art Museum, Pori, Finland, toured to

Museum of Modern Art Arnhem, Holland; P.S.1 Contemporary Art Center, Long Island City, New York; Winnipeg Art Gallery, Winnipeg, Canada

Global Conceptualism: Points of Origin, Queens Museum of Art, Queens, New York

The Time of Our Lives, The New Museum of Contemporary Art, New York

La Ville, le Jardin, la Mémoire, Academie de France, Villa Medici, Rome

Aspects/Positions: 50 years of Central European Art 1949 – 1999, Museum Kunst Stiftung Ludwig Wien, Vienna


1998 Solo Marina Abramovic: Expiring Body, Fabric Workshop and Museum,

Philadelphia

Marina Abramovic: Artist Body/Public Body, Kunstmuseum Bern, Bern,

Switzerland, toured to Lonja del Pescado, Alicante, Spain; Moderna Galerija and Cankarjev Dom, Ljubljana, Slovenia;Kunstverein, Hanover

Marina Abramovic: objects, performance, video, sound, Museum of Contemporary Art, Sydney, Australia.

Marina Abramovic: The Hunt/La Caza, Sala La Gallera, Valencia

Marina Abramovic: Biography/Biography, Teatre Rialto, Valencia

Ulay/ Abramovic, Performance Works 1976-1988, Tramway, Glasgow,


1998 Group Corpus Virtu, Sean Kelly Gallery, New York

Out of Actions: Between Performance and the Object, 1949-1979, The

Museum of Contemporary Art, Los Angeles; MAK Ausstellungshalle, Vienna; Museum of Contemporary Art, Tokyo; Museu D’Art Contemporani De Barcelona

Partners, Philadelphia Museum of Art, Philadelphia

Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden.

Wånas 1998, Wånas Foundation, Knislinge, Sweden.

Landscape: The Trace of the Sublime.Kunsthalle Kiel, Kiel, Germany, toured to Kunstraum Innsbruck, Innsbruck, Austria; Esbjerg Kunstmusem, Esbjerg, Denmark.

Body and the East, From the 1960s to the Present, Moderna Galerija Ljubljana, Ljubljana

New Science, Edmonton Art Gallery (EAG), Edmonton

Body Double, Winston Wächter Fine Art Gallery, New York

Persona, Galerie Carousel, Paris

Escape at Remanence, Former Magistrates’ Court and City

Watch House, Melbourne, Victoria

Out of Actions: Between Performance and the Object, 1949-1979,

Museum of Contemporary Art, Tokyo, toured to Museum of

Contemporary Art, Los Angeles; The Museum of Contemporary

Art, Vienna; Museu d’Art Contemporani, Barcelona (video, slides

and installation)

Nine International Artists, The Wanas Foundation, Knislinge (video installations and site-specific project)


1997 Solo Balkan Baroque, 47thVenice Biennale, Venice, Italy (Recipient of the

Golden Lion Award).

Spirit House and Performance Luminosity, Sean Kelly Gallery, New York

Performing Body, Setagaya Museum, Tokyo, toured to Studio Stefania Miscetti, Rome, Italy; Palazzo delle Esposizioni, Rome, Italy; Zerynthia, Paliano, Italy (objects and video installation)

Marina Abramovic Works, CCA, Kitakyushu, (video installation and photographs)

The Bridge, City Museum of Contemporary Art, Skopje, Macedonia (video installation)

Boat Emptying/Stream Entering, Sean Kelly, New York

Marina Abramovic 1979-1987, Okazaki Tamako Gallery, Tokyo

Ulay/Abramovic, Van Abbe Museum, Eindhoven


1997 Group Animalities, Netherlands Media Art Institute Montevideo/Time Based Arts, Amsterdam

Future, Past, Present, 47thVenice Biennale, Venice, Italy (video installation of Balkan Baroque, performance of Cleaning the House).

Artist Projects, P.S. 1 Contemporary Art Center, Long Island City

De-Genderism, Setagawa Art Museum, Tokyo, (video installation, performance, Cleaning the House)

Shoes or No Shoes? Shoes of Artists, Vishal, Haarlem

Spirit House, Biennale de Obidos, Obidos, Portugal (video installation)

The Compulsion to Remember, Center for Curatorial Studies, Bard

College, Annandale -On-Hudson


1996 Solo Spirit Cooking, Galerie de Lege Ruimte, Ghent

Boat Emptying Stream Entering, University of North Texas Art Gallery,

Denton, Texas, toured to Center for Research in Contemporary Art, University of Texas, Arlington, Texas

The House: Five Rooms and Storage, Middlesbrough Art Gallery,

Middlesbrough England

Chair for Man and His Spirit/Chairs for Man and Spirit, Okasaki Mindscape Museum, Okasaki, (site-specific installation)

Chair for Spirits, Dallas (site-specific project)

Cleaning the Mirror, Villa Stuck, Munich, Germany, toured to Fundació Pilar and Juan Miró, Palma de Mallorca, Spain (installation)

Biography, Groninger Stanschouwburg, Groningen (theater performance)

The Urgent Dance, Museum of Contemporary Art, Ghent


1996 Group Cleaning the Mirror, Cultural Elzenveld, Antwerp, (video installation)

In Between in Running Trains, Gynaika, Antwerp (video installation)

Girls, Bad Girls!,Cultuur Centrum, Brugge, (photographs)

NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark

Video Sans Titre, Galerie Froment + Putnam, Paris

Vier Positionen Holländischer Plastik, Skulpturen Museum, Glaskaten Marl

Walking and Thinking and Walking, Louisiana Museum, Odense

Art meets Science, Spirituality in a Changing Economy, Copenhagen


1995 Solo Biography, Singel Theater, Antwerp, Belgium, toured to Greer Carson Theatre, Santa Fe (theater performance)

Marina Abramovic: objects, performance, video, sound, Museum of

Modern Art, Oxford, England, toured to Fruitmarket Gallery,

Edinburgh, Scotland; Irish Museum of Modern Art, Dublin, Ireland;

Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Villa Stuck,

Munich, Germany; Groninger Museum, Groningen, Holland;

Museum van Hedendaagse Kunst, Ghent, Belgium.

Cleaning the Mirror, Museum of Modern Art, Oxford

Cleaning the House, Sean Kelly, New York (object installation and performance)

Double Edge, Kunstmuseum des Kantons, Karthause Ittingen, Switzerland (installation)

Performance Anthology: Video, Drawings, Klaus Fischer Gallery, Berlin (installation)

Rapture: The Body, Ritual + Sacred Practice, Institute of Contemporary Art (ICA), London


1995 Group Longing and Belonging, Site Santa Fe, Santa Fe, (installation)

Becoming Visible, Istanbul Biennale, Istanbul, Turkey; Padova Biennale, Francalanci’s section, Padua, Italy; Biennale de Lyon, Lyon, France.

Inbetween, Thuringen, (group installation)

Feminin/masculin, Museé National d’Art Modern, Centre Georges Pompidou, Paris; Autour de Roger Vivier, Galerie Enrico Navarra, Paris, France (group installation)

Artists Against Violence, Neuer Aachener Kunstverein, Aachen (installation)

Ram = Realität, Anspruch, Medium, Wartesaal, Kunstfonds, Bonn

Avant - Garde Walk in Venezia, Venice, (objects)

I am You, artists against racism, Amsterdam

Ruimtelijke Manuscripten, serie De Stadsbibliotheek van de Zintuigen, Bibliotheek Amsterdam


1994 Solo Marina Abramovic: Departure, Laura Carpenter Fine Art, Santa Fe (objects)

Delusional,Monty Theatre, Antwerp, Belgium, toured to Theatre am Turm (TAT), Frankfurt, Germany (theater performance)

Image of Happiness, Steirischer Herbst, Graz, Austria (excerpt of theater performance Delusional)

Faret Tachikawa, Tokyo (permanent outdoor installation of Black Dragon Pillows)


1994 Group Hors Limites - L'Art et la Vie, in collaboration with Ulay, Musée National d'Art Moderne, Centre Georges Pompidou, Paris (objects, video)

Visceral Responses, Holly Solomon Gallery, New York (objects)

Künstlertraumen Berlin, Stiftung Neue Kultur, Berlin (paper rubbungs)

Voetsporen, Artoteek, Dordrecht (objects)

Beeld, Museum van Hedendaagse Kunst, Ghent (cibachromes)

Different Natures, Espai 2, Barcelona (objects)

Georgius Agricola, Kunstsammlung, Chemnitz, Germany.

Shoes from Artists, Fundació Pilar and Juan Miró, Palma de Mallorca, Spain (objects)

Metaphysical Metaphors, High Museum of Art, Atlanta (objects)

Dialogue with the Other, Künshallen Brands Klaederfabrik, Odense, Denmark, toured to Norrköpings Konstmuseum, Sweden.

L'art à la plage, Jumeaux

Naturally, Ernst Museum, Budapest

Buch und Kunst, Galerie Renate, Hamburg (Cantz multiple edition)

Beyond the Pale, Irish Museum of Modern Art, Dublin (objects)

I Am You, Cleaning the House, (poster project held across several

European cities by Ugo Dossi and Thomas Barth).


1993 Solo Marina Abramovic, Jean Bernier Gallery, Athens, (objects)

Marina Abramovic, Palazzo dei Diamanti, Ferrara, (objects)

Dragon Heads, Caixa de Pensiones, Barcelona; Kunstmuseum, Bonn, Germany; Kunsthalle, Hamburg, Germany (performance)

Wartesaal, Neue Nationalgalerie, Berlin, (installation)


1993 Group La Coesistenza dell'Arte, Biennale, Venice

Cerco, Biennial Internacional de Obidos, Obidos

World Wide Video Festival, World Wide Video Centre, The Hague

Différentes Natures, La Défense, Paris, France.

Becoming Visible, Feuer Wasser Erde Luft, Mediale, Deichtorallen, Hamburg, Germany; Galerie Franck + Schulte, Berlin, Germany (video installation),

I am You, Artists Against Racism, multiple venues, Antwerp and Amsterdam

Mediale, Deichtorhallen, Hamburg, Germany.

20 Jahre Künstler-Videos, Hamburger Bahnhof, Berlin

Arte Amazonas, Staatliche Kunsthalle, Berlin (?)

45thVenice Biennale

Biennial Internacional De Obidos, Portugal


1992 Solo Marina Abramovic, École Nationale Supérieure des Beaux-Arts, Paris (objects)

Transitory Objects, Galerie Krinzinger, Vienna, (objects)

The Bridge, Galerie Ingrid Dacic, Tübingen, (cibachromes)

Becoming Visible, Galerie des Beaux Arts, Brussels, toured to Musée Montbéliard, Montbéliard, France (objects)

Wartesaal, Neue Nationalgalerie, Berlin, (objects)

Dragon Heads, Caixa de Pensiones, Barcelona, Spain; Kunstmuseum, Bonn, Germany.

The Biography, International Biennial of Innovative Visual Art, Madrid, toured to Kunsthalle, Vienna, Austria; Theater Am Turn (TAT), Frankfurt, Germany; Hebbel Theater, Berlin, Germany; Singel Theater, Antwerp; Greer Carson Theater, Santa Fe, Groninger Stanschouwburg, Netherlands; Teatre Rialto, Valencia; Documenta 9, Kassel, Germany; Cankarev Dom, Ljubljana (performance)


1992 Group Documenta 9, Kassel, Germany.

Spatial Drive, The New Museum of Contemporary Art, New York

Faszination Edelstein, Hessisches Landesmuseum, Darmstadt

The Biography, Edge 92, International Biennial of Innovative Visual Art,

Madrid, Spain; Kunsthalle, Vienna, Austria.

Van Vlees en Bloedt, in collaboration with Ulay, Stedelijk Museum, Schiedam (video documentary of performance and objects),

The Comfort Zone, The Living Room, Amsterdam, (drawings and multiple videos)

Die Künstlerpostkarte, Altonaer Museum, Hamburg, (postcards)

Frischluft, Wilhelm Lehmbruck Museum, Duisburg (objects)


1991 Solo For your eyes only, De Waag, Leiden (objects)

Departure, Galerie Enrico Navarra, Paris (objects)

Art Must Be Beautiful, Artist Must Be Beautiful, Victoria Miro Gallery, London (objects)

The Lovers, Museum of Contemporary Art, Montreal


1991 Group Arte Amazonas, Museo de Arte Moderna, Rio de Janeiro, Brazil, toured to Kunsthalle Berlin, Berlin, Germany (objects)

Das Goldene Zeitalter, Wurttembergischer Kunstverein, Stuttgart,

Germany; Ludwig Forum für Internationale Kunst, Aachen, Germany.

Fuente, Nieuwe Kerk, Amsterdam (objects)


1990 Solo The Lovers, Green Dragon Lying, in collaboration with Ulay, Städtische Kunsthalle, Düsseldorf (objects and performances),

Boat Emptying/Steam Entering, Galerie Ingrid Dacic, Tübingen (objects)

Le Guide Chinois, Galerie Charles Cartwright, Paris (photographic installation)

Marina Abramovic: Sur la Voie, Galeries Contemporaines, Centre Georges

Pompidou, Paris (objects)

Dragon Heads, (formerly known as Boat Emptying/ Stream Entering), Museum of Modern Art, Oxford, toured to The Church, Newcastle-Upon-Tyne, England; Third Eye Centre, Glasgow; Caixa de Pensiones, Barcelona; Kuntmuseum Bonn; Kunsthalle Hamburg (performance)

Dragon Heads, Edge '92, The Church, Newcastle-Upon-Tyne, England; Third Eye Centre, Glasgow, Scotland (performance)

Boat Emptying/Stream Enteringand The Lovers, Museum of

Modern Art, Montreal (performance and objects)

Aphrodite, Communal Centre, Cyprus (objects)


1990 Group The Shadow of Presence, Galerie Charles Cartwright, Paris (objects)

De Verzmeling II, Museum van Hedendaagse Kunst, Antwerp (objects)

Venus, Musée Albi, Albi, Tarn, France (objects)

Noli Me Tangere, Kunstmuseum, Sion, Switzerland (objects)

Nature in Art, Kunstmuseum, Vienna (objects)


1989 Solo Boat Emptying/Stream Entering, Victoria Miro Gallery, London, England, toured to Galerie Ingrid Dacic, Tubingen; Musee D’Art COntemporain De Montreal, Montreal, Quebec (objects)

The Lovers, Stedelijk Museum, Amsterdam, The Netherlands; Museum van Hedendaagse Kunst, Antwerp, Belgium; Stadtische Kunsthalle, Dusseldorf; Musee D’Art Contemporain De Montreal, Montreal, Quebec. (objects)

Green Dragon Lying,Muhka, Antwerp, toured to Stedelijk Museum, Amsterdam; Kunsthalle, Dusseldorf (objects)

SSS, in collaboration with Charles Atlas, Madrid (theater performance)

Boat Emptying/Stream Entering, Victoria Miro Gallery, London, toured to Galerie Ingrid Dacic, Tubingen; Musee D’Art Contemporain De Montreal


1989 Group Magiciens de la Terre, Centre Georges Pompidou, Paris

Wanderers, Galerie Charles Cartwright, Paris

And they see God, Pat Hearn Gallery, New York

Das Verhältnis der Geschlechter, Kunstverein,

Bonn (installation of objects)

Over den gres, Nederlands Textielmuseum, Tillburg (installation)

Video-Skulptur Retrospektiv und Aktuell 1963-1989, Kölnischer

Kunstverein, Cologne, Germany, toured to Kongresshalle,

Berlin, Germany; Kunsthaus, Zurich, Switzerland


1988 Solo China Ring, Burnett Miller Gallery, Los Angeles

Anima Mundi, Galerie Ingrid Dacic, Tübingen, Germany (cibachromes)


1988 Group After 15 Years, Happy New Gallery, SCC, Belgrade (photo documentation of performances)

Beelden voor blinden en zienden, Oude Kwekje, Kortenhoef, (Polaroids)

The Flag Project, 50 Artists/50 Flags, Venice, Italy.

Roots and Turns, 20th Century Photography in the Netherlands, Blaffer

Gallery, University of Houston, Texas; Stedelijk Museum, Amsterdam

Rijksaankopen 1987; wer van hedendaagse beeldende kunstenaars,

Stedelijk Museum, Schiedam, The Netherlands.

Documenta 8, Kassel, Germany.

Photo Mannerisms, Lawrence Oliver Gallery, Philadelphia, Pennsylvania


1987 Solo Die Mond der Sonne, Centre d’Art Contemporain, Palais Wilson, Geneva (Mikadoobject and Polaroids)

Ulay/Marina Abramovic, Contemporary Art Center, Cincinnati, Ohio (Polaroid and video installation of China Ring)

Tuesday/Friday, Galerie Rene Blouin, Montreal; Michael Klein, New York (Polaroids)

1987 Group Arrangements for the Camera: A View of Contemporary Photography, Baltimore Museum of Art, Baltimore (Polaroids)

This is not a Photograph: Twenty Years of Large Scale Photography, 1966-68, Ringling Museum of Art, Sarasota, Florida (Polaroids)

Blow Up” Zeitgeschichte, Wurttembergischer Kunstverein, Stuttgart; Haus am Waldsee, Berlin; Kunstverein, Hamburg; Kunstverein, Frankfurt; Kunstmuseum, Lucerne; Rheinisces Landesmuseuem, Bonn (Polaroids)

Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (Polaroids)

Von Chaos und Ordnung der Seele, Kunst in der Psychiatrischen Klinik der Universitat, Mainz, Germany (Polaroids)

Art from Europe, The Tate Gallery, London; Stedelijk Museum, Amsterdam; The Museum of Contemporary Art, Los Angeles; Institute of Contemporary Art, Boston (Polaroids)

Animal Art, Steirischer Herbst ’87, Graz, Austria (photo doc. of performance Three)

The Mirror + The Lamp, The Fruitmarket Gallery, Edinburgh, Scotland (Polaroids)

Die Gleichzeitigkeit des Anderen, Kunstmuseum, Bern (objects, vases, The Sun and the Moon)

The 100 Days of Contemporary Art of Montreal 1987, International Center of Contemporary Art, Montreal (Polaroids)


1986 Solo Nightsea Crossing, New Museum of Contemporary Art, New York (performance)

Risk in Age of Art, University Baltimore, Galitimore; The House, Santa Monica, (video document of performance)

Nightsea Crossing Complete Works, Musee Saint-Pierre d’Art Contemporain, Lyon (objects, performance and photographic documentary)

Tuesday/Saturday, Curt Marcus Gallery, New York (Polaroids)

Ulay/Marina Abramovic, San Francisco Art Institute, San Francisco (Polaroids)

1986 Group The Real Big Picture, The Queens Museum, Queens, New York (Polaroids)

Collaboration with Ulay, Burnett Miller Gallery, Los Angeles (Polaroids)

Momento Mori, Moore College of Art, Philadelphia.

Sixth Annual San Francisco Video Festival, San Francisco (Polaroids)

Alles und noch viel mehr, das poetische ABC, Kunsthalle/Kunstmuseum, Bern, (performance of Modus Vivendi)

Nightsea Crossing, Teatro Musica Performances Music Theatre, Fundacion Calouste Gulbenkian, Lisbon (performance)

Rememberances of Things Past, Long Beach Museum of Art, Long Beach, California (Polaroids)

Rijksaankopen 1985, Logement, Gravenhage, The Netherlands (Polaroids)

Big Portraits, Jeffery Hoffield & Co., New York (Polaroids)

Emerging Artists ’86, Cleveland Centre for Contemporary Art, Cleveland, Ohio (Polaroids)

1986 Houston Fotofest, Blaffer Gallery, University of Houston, Houston, Texas (Polaroids)

Foto Cliché, Victoria Miro Gallery, London; Orchard Gallery, Derry, Northern Ireland (Polaroids)

Photography as Performance, The Photographer’s Gallery, London (photographic doc. of performance)

Modus Vivendi Tuesday/Saturday, Burnett Miller Gallery, Los Angeles; Visual Arts Centre, Cambridge, Massachusetts (Polaroids)


1985 Solo Modus Vivendi, Kunstmuseum, Stadttheater, Bern; Saskia Theatre, Arnhem, The Netherlands (performance)

Nightsea Crossing, Fundaciao Calouste Gulbenkian, Lisbon; First International Biennial, Ushimado, Japan; XVIII Bienal de Sao Paulo, Sao Paulo (performance)

Fragilissimo, with M. Laub and Mr. Mondo, Stedelijk Museum, Amsterdam (theatre performance)

1985 Group Amsterdam buys Art, Municipal Art Acuisition 84, Museum Fodor, Rijksaankopen 1984, Gravenhage, The Netherlands (polaroids)

Von Hier aus, Zwei Neue. Deutsche Kunst im Dusseldorfer Messegelande, Dusseldorf (Polaroids)

L;Art et le Temps, Regards sur la Quatrieme Dimension, Musee Rath – Musee d’Art d’Histoire, Geneva (China project concept, photographic documentation)

Content: A Contemporary Focus 1974 – 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C.

Symbol Tier, Krinzinger, Innsbruck, Austria (photographic documentation of Performance 3)

By the river 3: International photography today,The Pori Art Museum, Pori, Finland (Polaroids)

Hoogtepunten uit de fotocollective van het Stedelijk Museum, Museum Fodor, Amsterdam (Polaroids)

As far as Amsterdam Goes, Stedelijk Museum, Amsterdam (Polaroids)

Das Auge des Kunstlers, Logetta Lombardesca, Ravenna, Italy; Kunstverein, Frankfurt (polaroids)


1984 Solo Positive Zero, Stadsschouwburg, Eindhoven, The Netherlands (performance)

Nightsea Crossing, Museum van Hedendaagse Kunst, Ghent, Belgium; Galerie/Edition Media, Furkapass, Furka, Swizerland; Stadtisches Kunstmuseum Bonn; Forum, Middleburg, The Netherlands (performance)

Modus Vivendi, Institute of Contemporary Art, Boston (performance)

1984 Group Forun un Scene 1984, Abdijcomplex, Vleeshal, Kuiperspoort, Middleburg, The Netherlands.

La Zattera di Babele, een Carrousel van Beeld, Muziek, Woord en Theatre, Nightsea Crossing, (performance) (?)


1983 Solo Nightsea Crossing / Conjunction, Museum Fodor, Amsterdam (performance)

Positive Zero, Holland Festival, Carré Theater, Amsterdam; Muziekcentrum Vredenburg, Utrecht; De Doelen, Rotterdam (theater performance)

Modus Vivendi, Progetto Genazzano, Zattera di Babele, Genazzano, Italy (performance)

1983 Group Nightsea Crossing ARS ’83, The Art Museum of the Ateneum, Helsinki (performance)

De Goddelijke Kondeie, Rotterdaamse Kunststichting, ‘t Venster, Rotterdam (Polaroids)

Vision of Disbelief: The 4thBiennial of Sydney,Art Gallery of New South Wales, Sydney (photographic documntation of Nightsea Crossing)

Live to Air, Artist’s Sound Works, Tate Gallery, London (sound work)

60 ’80 Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam (Polaroids)


1982 Solo Nightsea Crossing, Skulpturenmuseum, Marl, Germany; Kunstakademie Dusseldorf; Kunstlerhaus Bethanien, Berlin; Kolnischer Kunstverein/Molkerei, Cologne; Stdelijk Museum, Amsterdam, The Netherlands; Museum of Contemporary Art, Chicago; A Space/Town Hall, Toronto; documenta 7, Kassel, Germany (performance)

Luther, Kabinett fur aktuelle Kunst, Bremerhafen (installation)

1982 Group Momentbild: Kunstlerphotographie, Kestnergesellschaft, Hannover (Polaroids)

Videokunst in Deutschland 1963-1982, Kolnischer Kunstverein, Cologne (touring exhibition with video installation Crazed Elephant)

Contemporary Art from The Netherlands, Museum of Contemporary Art, Chicago

Documenta 7, Kassel, Germany (photographic work)

11eme Festival International du Nouveau Cinema Montreal 1982, Montreal

Vision in Disbelief; the 4thBiennial of Sydney, The Art Gallery of New South Wales, Sydney (video works)

Live to Air; Artists’ Sound Works, Tate Gallery, London (sound works)

60 ’80 Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam (Polaroids)


1981 Solo Gold found by the Artists, Nightsea Crossing, Art Gallery of New South Wales, Sydney.

Witnessing, ANZART, The Art Centre, Christchurch, New Zealand (performance)

6WF, The Art Gallery of Western Australia, Perth (performance)

1981 Group Artists’ Photographs, XVI Bienal de Sao Paulo, Sao Paulo; Crown Point Press Gallery, Oakland, California (Polaroids)

Instant Fotografie, Stedlijk Museum, Amsterdam (Polaroids)


1980 Group Rest Energy, Rose ’80: The Poetry of Vision: An International Exhibition of Modern Art and Chinese Painting, School of Architecture, University College, National Gallery of Ireland, Dublin (performance)


1979 Solo The Brink, European Dialogue, 3rdBiennal of Sydney, Art Gallery of New South Wales, Sydney (performance)

Go…Stop…Back…Stop…, National Gallery of Victoria, Melbourne (performance)

Communist Body/ Fascist Body, Zoutkeergracht 11/118, Amsterdam (performance),

Installation One, Stichting De Appel, Amsterdam (installation)

One the Way, Audio Arts, Riverside Studios, London. (sound work)

1979 Group Trigon ‘79/Masculin-Feminin, Steirischer Herbst ’79, Neue Galerie, Graz, (photographic documentation)

Photographie als Kunst 1879-1979/Kunst als Photographie 1949-1979, Museum des XX Jahrhunderts, Vienna (performance)

International Performance Festival, Osterreichischer Kunstverein, Vienna (performance)

Charged Space, European Series One, Brooklyn Museum, New York (performance)

1978 Solo AAA-AAA, RTB television studio, Liege (performance)

Incision, Galerie H-Humanic, Graz, (performance)

Kaiserschnitt, Performance Festival, Hofreischule, Vienna (performance)

Work/Relation, Extract Two, Theatre aan de Rijn, Arnhem, The Netherlands; Palazzo dei Diamanti, Ferrara, Italy; Badischer Kunstverein, Karlsruhe, Germany (performance)

Three, Harlekin Art, Weisbaden (performance)

Installation One, Stichting De Appel, Amsterdam (?)

Installation Two, Harlekin Art, Wiesbaden (?)

1977 Solo Galerie Magers, Bonn, (photo documentation of performances Rhythm 10, 2, 5, 4, 0)

MAGMA, Museum of Verona, Verona (photo documentation of performances Rhythm 10, 2, 5, 4, 0)

1977 Group Interruption in Space, Staatliche Kunstakademie, Dusseldorf (performance)

Breathing In/Breathing Out, Student Cultural Centre, Belgrade; Stedelijk Museum, Amsterdam (performance)

Imponderabilia, La performance oggi: settimana internazionale della performance, Galleria Comunale d’Art, Moderna, Bologna (performance)

Expansion in Space, documenta 6, Kassel (performance)

Relation in Movement, X Biennale de Paris, Musee d’Art Moderne de la Ville de Paris (performance)

Relation in Time, Studio G7, Bologna (performance)

Light/Dark, Internationale, Kunstmesse, Cologne (performance)

Balance Proof, Musee d’Art et d’Histoire, Geneva (performance)


1976 Solo Talking about Similarity, in collaboration with Ulay Signal 64, Amsterdam (performance)

Freeing the Body, Kunslerhaus Bethanien, Berlin (performance)

1976 Group Biennale di Venezia; Ambiente/Participazione/Strutture Culturali, in collaboration with Ulay, Venice (performance)

M. Abramovic, Natalia L.L., G. Pane, Galeria Arte Verson, Genoa (performance)

Photography as Art, Contemporary Art Gallery, Zagreb; Museum of Modern Art, Belgrade (photo documentation of works)


1975 Solo Rhythms 10; 2; 5; 4; 0, Museum of Contemporary Art, Belgrade (photo documentation of performances)

Freeing the Voice, Galerie De Appel, Amsterdam (video installation)

Photo documentation of performances Rhythms 10, 2, 5, 4, 0, Krinzinger, Innsbruck; Galleria Diagramma, Milan; Studio Morra, Naples.

Thomas Lips, Galerie Krinzinger, Innsbruck (performance)

Warm/Cold, Fruitmarket Gallery, Edinburgh (performance)

Art must be Beautiful, Artist must be Beautiful, Art Festival, Copenhagen (performance)

Role Exchange, Galerie De Appel/Red Light District, Amsterdam (performance)

Freeing the Memory, Galerie Dacic, Tubingen (performance)

Freeing the Voice, Student Cultural Centre Gallery, Belgrade (performance)

1975 Group Aspekte Gegenwartskunst aus Jugoslawien, Akademie der Bildenden Kunst, Vienna (photo documentation of performances Rhythm 10, 2,5,4,0)

Yugoslave Avant-Garde Art, Gallery Wspolzescna, Warsaw (photo documentation of performances Rhythm 10, 2, 5, 4, 0)


1974 Solo Spaces, Gallery of Contemporary Art, Zagreb (installation)

Rhythm 5, Expanded Media Festival, Student Cultural Centre, Belgrade (performance)

Rhythm 2, Gallery of Contemporary Art, Zagreb (performance)

Rhythm 4, Galleria Diagramma, Milan (performance)

Rhythm 0, Galleria Studio Morra, Naples (performance)

1974 Group Letters 1959-1973, Six Artists, Cultural Centre Gallery, Belgrade

Xerox Works Exhibition, Students Centre Gallery, Zagreb (Xerox works)

7 Secretaries of SKOJ-A, Prize Winners, Galeria Nova, Zagreb (documentation of performance – prize awarded from Rhythm 5)

Signalism, Contemporary Art Gallery, Zagreb (computer poetry)

New Artistic Practice in Yugoslavia 1968-1974, Gallery of Contemporary Art, Zagreb (photographic documentation of performances Rhythm 10 , 2, 5, 4, 0)

1970 Solo Grožnjan, Gallery T-70

1969 Group Djuro Salaj,Workers’ University, Belgrade

Cvijeta Zuzoric, Academy of Fine Arts, Belgrade

1964 Solo Djuro Salaj,Workers’ University, Belgrade





ШОКИРУЮЩИЕ НОВОСТИ